"You'd Be So Nice to Come Home To" is a popular song written by Cole Porter for the 1943 film Something to Shout About, where it was introduced by Janet Blair and Don Ameche. The song was nominated for the Academy Award for Best Original Song in 1943 but lost to "You'll Never Know".
Today's tune is performed by Helen Merrill, taken from her self titled debut studio album, on which she is accompanied by trumpeter Clifford Brown in arrangements by Quincy Jones. Brown had recorded a similar album with Sarah Vaughan only a few days previously, on December 16 and 18, 1954.
In 1995, Merrill recorded a tribute album to Brown, who had been killed in a car accident in 1956, the year after their collaborative album was released.
Helen Merrill (born Jelena Ana Milcetic; July 21, 1930) is an American jazz vocalist. Her first album, the eponymous 1954 recording Helen Merrill (with Clifford Brown), was an immediate success and associated her with the first generation of bebop jazz musicians. After an active 1950s and 1960s, Merrill spent time recording and touring in Europe and Japan, falling into obscurity in the United States. In the 1980s and '90s, she was under contract with Verve and her performances in America revived her profile. Known for her emotional, sensual vocal performances, her career continues in its sixth decade with concerts and recordings.
Today's version was filmed at Festival de Jazz d'Antibes Juan-les-Pins, France July 1960
MESSA’s rising trajectory hits the stratosphere on their immense new album “Close”. Soaring up out of the Italian Doom Rock underground in 2014, MESSA have been rapidly garnering a frenzied throng of devotees, in thrall to their monumental and broad-ranging sound craft. Releasing two widely celebrated cult records, the latest of which “Feast For Water” in 2018 was a critical breakthrough success, with Rolling Stone calling the whole album “captivating, wringing maximum drama out of its savvy stylistic clash,” Messa have had everyone on tenterhooks, waiting for what was next.
New album “Close” draws us further into MESSA’s spellbinding textures and immersive dynamics. Described as “Stevie Nicks fronting Black Sabbath,” singer Sara’s colossal voice omnipotently carries the listener on an emotional rollercoaster ride where the sonic cauldron of Iommi guitars gives way to Arabian oudh and progressive solos in a masterful style-clash that well befits Messa’s incendiary reputation.
The hushed Fender Rhodes piano intro on opener “Suspended,” picks up where Messa left off on their previous album “Feast For Water” but then collapses gloriously into Jazz guitar and widescreen impassioned crushing riffs, lighting our way for the odyssey ahead. The scene is set magnificently for the journey that “Close” expertly takes the listener on, with MESSA’s obvious care and passion for the album as a pilgrimage of sonic experience. Heavyweight tracks like “If You Want Her To Be Taken” or “0=2” are modern Doom Rock classics that expertly upgrade and leave the genre reeling in their wake. “Pilgrim” and “Orphalese” are woven with tapestries of Mediterranean sounds where oudh and eastern chord phrasings expand Messa’s cinematic palette with a panache that is all their own. Atmospheric and grandiose belters like “Rubedo” and “Dark Horse” build into an almost limitless climax of discord and harmony where blast beats and saxophones descend into a thrilling cacophony that’s a masterclass in artful cutting edge Doom.
Referencing bands like DEAD CAN DANCE, SWANS and OM, MESSA have created an album where song, experience and atmosphere are focused into a crystalline modus where high art flawlessly embraces good old fashioned riff-worship. Transcending the occult and noir-tinted atmospheres of their past works, “Close” confidently weaves Messa’s multifarious influences into a singular breath-taking sound that leaves the listener enthralled. Perfection or something extremely close, MESSA’s “Close” is not just a Metal record, but it’s definitely one of the best things to break out of the confines of Metal in a long time.
Nakh: a ritual dance performed by women along the Algerian/Tunisian border. It features the swaying of the dancer’s head and thrashing of the hair. An altered state of consciousness is induced by the repetitive yet simple movements performed during the dance.
"Close" was recorded between April and May 2021 at Inside Outside Studio in Volpago del Montello (TV). Vocals recorded at La Distilleria in Bassano del Grappa (TV). Recorded and mixed by Maurizio ‘Icio’ Baggio. Mastered by Maurizio ‘Icio’ Baggio and Matt Bordin.
Headbang: slang to nod one’s head violently to the beat of loud rock music.
"Hasta Siempre, Comandante," ("Until Forever, Commander" in English) or simply "Hasta Siempre," is a 1965 song by Cuban composer Carlos Puebla. The song's lyrics are a reply to revolutionary Che Guevara's farewell letter when he left Cuba, in order to foster revolution in the Congo and later Bolivia, where he was captured and killed.
The lyrics recount key moments of the Cuban Revolution, describing Che Guevara and his role as a revolutionary commander. The song became iconic after Guevara's death, and many left-leaning artists did their own cover versions of the song afterwards. The title is a part of Guevara's well known saying "¡Hasta la victoria siempre!" ("Until victory, always!").
Like many of the songs of the author and in line with the tradition of the Cuban and Caribbean music, the song consists of a refrain plus a series of five verses (quatrain), rhyming ABBA, with each line written in octosyllabic verse.
The song has been covered numerous times, there are more than 200 versions of this song. The song has also been covered by Compay Segundo, Soledad Bravo, Óscar Chávez, Nathalie Cardone, Robert Wyatt, Nomadi, Inés Rivero, Silvio Rodríguez, Ángel Parra, Celso Piña, Veronica Rapella (whose performance is attributed to Joan Baez by a common mistake), Rolando Alarcón, Los Olimareños, Maria Farantouri, Jan Garbarek, Wolf Biermann, Boikot, Los Calchakis (commonly wrongly attributed to Buena Vista Social Club), George Dalaras, Apurimac, Giovanni Mirabassi and Al Di Meola, Ahmet Koç, Mohsen Namjoo, Enrique Bunbury, Verasy, Interitus Dei among others. Although Victor Jara never sang this song, many attribute the Carlos Puebla version to him by mistake.
So for today we have the Norwegian jazz saxophonist Jan Garbarek's version, along with Rainer Bruninhaus (piano), Eberhard Weber (basse), Marilyn Mazur (percussions), the tune was released on his "Witchi-Tai-To" from 1974. The clip is from Nancy Jazz Pulsations 2004, enjoy!
Armed with nectar-sweet vocals and a discerning taste in beats, Notts-based Yazmin Lacey is cooking up a classy sound that's two-parts golden era jazz and one-part British urban...
Yazmin Lacey never set out to be a singer. She’d always sung, but for herself, or for friends, who’d remark on the beauty of her blissed-out voice, the way it animates the life-skewering prose she likes to jot down — on a napkin, a Rizla, the back of a cigarette packet — whenever the mood takes her.
"Morning Matters" is Lacey’s most accomplished offering yet and showcases her growing abilities and confidence. The singer pairs candid songwriting with a laidback, graceful delivery and - as the title suggests - "Morning Matters" is inspired by new dawns and fresh starts.
“The EP is dedicated to anyone that’s ever struggled with getting up and out in the morning, for everyone doing work on themselves and trying to live better”, explains Lacey. Contributors include Femi Koleoso and Ife Ogunjobi of Ezra Collective on drums and trumpet respectively (Own Your Own, Morning Matters), celebrated pianist Sarah Tandy on keys (Morning Matters), and jazz protege Moses Boyd on drums and production (Lately, Morning Sunrise).
Yazmin Lacey didn’t set out to be a singer. Born and raised in Manor Park, East London, she relocated to Nottingham whilst working for a children's charity and initially only considered making music as a way of having fun with friends. However, a chance encounter lead to her earning a place on Future Bubblers - Gilles Peterson’s development programme devoted to discovering and nurturing fresh UK talent - and enthused by the experience, Lacey recorded some songs in her living room, then in 2017 self-released her debut EP, Black Moon. The more polished When The Sun Dips 90 Degrees EP followed in 2018 and includes standout single Something My Heart Trusts, which has clocked up over 4.3 million plays on Spotify. “As soon as I made that first EP I knew there would be three of them, and this is the third”, says Lacey of "Morning Matters". “Black Moon was trauma, When The Sun Dips 90 Degrees was healing, and Morning Matters is moving forward.”
Today's tune "Morning Matters", the title tune from her EP, released March 27, 2020
As it's Halloween atm I though we play something that is a bit scary. So why not "Frankenstein", the instrumental tune by THE EDGAR WINTER GROUP from their 1972 album "They Only Come Out At Night".
The song topped the US Billboard Hot 100 chart for one week in May 1973, being replaced by Paul McCartney's "My Love". It sold over one million copies. In Canada it fared equally well, reaching number 1 on the RPM 100 Top Singles Chart the following month. That same month the song peaked at number 18 in the UK Singles Chart. The following month, the song peaked at number 10 in Mexico. The song also peaked at number 39 in West Germany, remaining on the chart for one week. The single was certified gold June 19, 1973, by the RIAA.
The song's title, coined by the band's drummer Chuck Ruff, derives from the fact that the original recording of the song was much longer than the final version, as the band would often deviate from the arrangement into less structured jams. The track required numerous edits to shorten it. The end result was spliced together from many sections of recording. Winter frequently refers to the appropriateness of the name also in relation to its "monster-like, alumbering beat". (One riff was first used by Winter in the song "Hung Up", on his jazz-oriented first album Entrance. He later tried a variation on it, "Martians" on the 1981 Standing on Rock album.)
Winter played many of the instruments on the track, including keyboards, saxophone and timbales. As the release's only instrumental cut, the song was not initially intended to be on the album, and was only included on a whim as a last-minute addition. It was originally released as the B-side to "Hangin' Around", but the two were soon reversed by the label when disc jockeys nationwide in the United States, as well as in Canada, were inundated with phone calls and realized this was the hit. The song features a "double" drum solo, with Ruff on drums and Winter on percussion. In fact, the working title of the song was "The Double Drum Song". The single was one of the few No. 1 chart records to include an extended passage featuring the ARP 2600 synthesizer. The group performed the song, with Rick Derringer on guitar, on The Old Grey Whistle Test in 1973.
The song was actually performed three years previously when Edgar was playing with his older brother Johnny Winter at the Royal Albert Hall in 1970. This rare recording was released in 2004 as one of several live bonus tracks included in the two-disc Legacy Edition CD of Johnny Winter's Second Winter.
Today's tune "Frankenstein", taken from the album "They Only Come Out At Night", enjoy!
Sunday, time for a classic and it's time to wrap up the pride week.
Freddie Mercury (born Farrokh Bulsara; 5 September 1946 – 24 November 1991) was a British singer, songwriter, record producer, and lead vocalist of the rock band QUEEN. Regarded as one of the greatest singers in the history of rock music, he was known for his flamboyant stage persona and four-octave vocal range. Mercury defied the conventions of a rock frontman, with his highly theatrical style influencing the artistic direction of QUEEN.
Mercury died in 1991 at age 45 due to complications from AIDS. He confirmed the day before his death that he had contracted the disease, having been diagnosed in 1987. Mercury had continued to record with QUEEN following his diagnosis, and he was posthumously featured on the band's final album, "Made In Heaven" (1995).
Today's tune "Don't Stop Me Now" is a song by the British rock band QUEEN featured on their 1978 album "Jazz" that was released as a single in 1979. Written by lead singer Freddie Mercury, it was recorded in August 1978 at Super Bear Studios in Berre-les-Alpes (Alpes-Maritimes), France, and is the twelfth track on the album.
Musically, the song builds on Mercury's piano playing, with John Deacon and Roger Taylor providing a bass guitar and drums backing track. The song also provides an example of QUEEN's trademark style of multitrack harmony vocals for the chorus lines.
The song also appears in the band's 1981 compilation album "Greatest Hits", and in June 2011, as part of QUEEN's 40th-anniversary celebrations, an old take of the song containing more guitar parts was included on the bonus EP of the re-released and remastered "Jazz" album. Featuring in films, commercials, and television shows, the song has grown in popularity in the four decades since its release. Bobby Olivier of Billboard attributes its initial rebirth to its appearance in the 2004 cult classic zombie apocalypse film "Shaun Of The Dead". In 2014, Rolling Stone readers voted it their third favorite song by QUEEN.
Marc Ribot (pronounced REE-bow) was born in Newark, New Jersey in 1954. As a teen, he played guitar in various garage bands while studying with his mentor, Haitian classical guitarist and composer Frantz Casseus. After moving to New York City in 1978, Ribot was a member of the soul/punk REALTONES, and from 1984 - 1989, of JOHN LURIES LOUNGE LIZARDS. Between 1979 and 1985, Ribot also worked as a side musician with Brother Jack McDuff, Wilson Pickett, Carla Thomas, Rufus Thomas, Chuck Berry, and many others.
His work has touched on many styles, including no wave, free jazz, rock, and Cuban music. Ribot is also known for collaborating with other musicians, most notably Tom Waits, Elvis Costello, Vinicio Capossela and John Zorn.
CERAMIC DOG
Marc Ribot – guitar, vocals, banjo etc
Shahzad Ismaily – bass, synthesizer, vocals etc
Ches Smith – drums, percussion, electronics, vocals, keyboards
Today's tune "Lies My Body Told Me" is taken from the album "Your Turn" which was released in April 2013 on Northern Spy Records. Enjoy!
Upcoming Tour dates:
CERAMIC DOG European Summer Tour
7/13 MARSEILLE/France (SOLO) - Marseille Jazz
7/15 BRUGNERA (Pordenone)/Italy - Parco di Villa Varda
7/16 Brisighella (RA)/Italy - Anfitetro Spada
7/7 SOTTEVILLE-LES-ROUEN/France - Atelier 231
7/18 GENT/Belgium - De Bijloke Muziekcentrum
7/19 MÜNCHEN/Germany - Jazzclub Unterfahrt
7/20 DORTMUND/Germany - JunkYard, Sommerbühne
7/22 WARSAW/Poland - Pardon, To Tu przy Nowym Teatrze
7/23 LJUBLJANA/Slovenia - Cankarjev Dom
7/24 SAN SEBASTIAN/Spain - Museo Chillida-Leku
8/21 Saalfelden/Austria - Saalfelden JazzFest
"I Wish I Knew How It Would Feel to Be Free" is a jazz song written by Billy Taylor and Dick Dallas. Taylor's original version (as "I Wish I Knew") was recorded on November 12, 1963, and released on his Right Here, Right Now! album (Capitol ST-2039) the following year. His 1967 instrumental take was later used as the theme music for the Film... review programme series on BBC Television.
Taylor said: "I wrote this song, perhaps my best-known composition, for my daughter Kim. This is one of the best renditions I’ve done because it is very spiritual."
Enjoy today's tune with Nina Simone performs “I Wish I Knew How It Would Feel To Be Free” live at the Montreux Jazz Festival, 1976. This version can be found on the DVD and Album "Nina Simone Live at Montreux 1976". A widely played version was recorded by Nina Simone in 1967 on her "Silk & Soul" album.
Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), known professionally as Nina Simone, was an American singer, songwriter, musician, arranger, and civil rights activist. Her music spanned a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop.
The British Josh Mcknasty is well known for the infectious energy he brings to any stage he steps on, as a drummer and as a musical director to others artists.
He has previously been tasked with bringing to life the studio recordings of TINIE TEMPAH, WRETCH 32, LION BABE, STORMZY and recently Eliza and Keziah Jones, to name a few, as MD he sets high expectations, of commitment to detail and the story of each piece of music.
Now as Arranger/Producer on his own material he continues with the same drive, not necessarily in pursuit of perfection but always pushing to emote the listener and infuse them with the energy of the Music, and its undeniable ... he is one of the best at this and seeing him live is only further evidence, fusing his Jazz prowess with all his influences of Gospel, Hip-Hop, Afro-Beats, Grime and love of lush Disney-esque string arrangements a new definition of Jazz Fusion is in the hands of one of the most passionate musicians you will find.
He's also the drummer for NAUGHTY BOYs live band and plays alongside two of his siblings. He is the older brother of Labrinth. And best known for his work with Kamaal Williams.
MckNasty joined at #JagerSoho for the latest in the series of the Jägermeister Vinyl Sessions; live performances cut direct to vinyl. Filmed and Edited by Brian Whar. Kinda cool to see when they cut direct to Vinyl on the video. Enjoy today's tune.
Yesterday it was the third and last drop for the Record Store Day. With a small budget for this day I only baught one RSD title bedides a few others that was only at a great price during this event. As the record is a classic so why not share it here today.
Half a century on from its release, shockwaves from Miles Davis’ "Bitches Brew" continue to reverberate throughout the universe. Leading more than a dozen all-stars in the studio (including Wayne Shorter on soprano sax, John McLaughlin on electric guitar and a triple-threat electric piano section featuring Joe Zawinul, Chick Corea and Larry Young), Miles defied all conventional styles, joining the loose ends of jazz, rock and funk into a groundbreaking new sound that would eventually become known quite plainly as fusion. This double album, featuring ten embryonic recordings which paved the way for the final album, is issued for the first time as a standalone release on opaque red vinyl for Record Store Day 2020.
Today's tune taken from the RSD album "Double Image: Rare Miles From the Complete Bitches Brew Sessions" is the jazz fusion and raga rock track "The Little Blue Frog", recorded in 1969, was first officially released on the 1998 compilation album The Complete Bitches Brew Sessions. It was then included on the 2000 reissue of Big Fun. A short excerpt, titled Little Blue Frog, was included on the 2010 Bitches Brew: Legacy Edition. Enjoy!
"War Pigs" is a song by British heavy metal band BLACK SABBATH. It is the opening track from their 1970 album Paranoid.
The original title of "War Pigs" was "Walpurgis", dealing with the witches' sabbath. "Walpurgis is sort of like Christmas for Satanists. And to me, war was the big Satan", said bassist and lyricist Geezer Butler. "It wasn’t about politics or government or anything. It was Evil itself. So I was saying 'generals gathered in the masses / just like witches at black masses' to make an analogy. But when we brought it to the record company, they thought 'Walpurgis' sounded too Satanic. And that's when we turned it into 'War Pigs'. But we didn't change the lyrics, because they were already finished."
During this time period, mandatory army service had recently ended in Britain but with the Vietnam War raging, many young men feared they'd be conscripted to fight in it. "That's what started this whole rebellion thing about not going to war for anybody", said Butler. "I was dreading being called up", the lyricist recalled.
Prior to its official release, the band often altered the lyrics significantly when performing it live. An example of this can be found on Ozzy Osbourne's compilation The Ozzman Cometh, which features an early version recorded by BLACK SABBATH for BBC Radio 1 on 26 April 1970. While Butler has said that "War Pigs" is "totally against the Vietnam War, about how these rich politicians and rich people start all the wars for their benefit and get all the poor people to die for them", vocalist Osbourne has stated that the group "knew nothing about Vietnam. It's just an anti-war song." The song's instrumental outro is entitled "Luke's Wall" on US releases of the album.
Drummer Bill Ward's first memory of performing the song was at The Beat Club in Switzerland in 1968. The band was required to play multiple sets every night and had little material in their repertoire at that point, so they would perform lengthy jam sessions to fill in the sets. Iommi has said that "War Pigs" originated from one of those jam sessions.
The addition of the air-raid siren and the speeding up of the song's end were done by producer Rodger Bain and engineer Tom Allom. The band had no input in these decisions, though they were pleased with the results.
Today's cover is made by Alex Skolnick, who is an American musician who is best known as the lead guitarist in the thrash metal band TESTAMENT from 1983 to 1993, and again from 2005. He has also performed with the Alex Skolnick Trio, TRANS-SIBERIAN ORCHESTRA, SAVATAGE and METAL ALLEGIANCE.
Today's tune is filmed at the Upstairs Jazz Bar & Grill, December 11th 2011. The tune can be found on Alex Skolnick Trio's album "Goodbye To Romance", 2004
KOSMODROM is a four-piece instrumental Stoner-Psyche-Rock band from Upper Franconia, Germany. Formed in 2013.
An interesting mix of all kinds of styles blended into one. These Germans funk's up the classic rock tones and blends it with heavy riffs and with a stoner approach. I wish I could hear this in the elevators instead of the easy listening stuff that you are forced to hear.
KOSMODROM are:
Matthias - Guitar
Timo - Guitar
Hechti - Bass
Mirko - Drums
Today's tune "Funkgerät" is taken from the 2017's album "Gravitationsnarkose", enjoy!
Upcoming Tourdates:
Jul 20
Zentrum Zinsholz
Esslingen, Germany
Aug 02
Sticky Fingers
Marktredwitz, Germany
Oct 17
Glashaus
Bayreuth, Germany
Oct 18
Freiraum
Dachau, Germany
Nov 01
Nikola Tesla
Chemnitz, Germany
Nov 08
Grüner Jäger
Hamburg, Germany
Dec 20
Altes Spital
Viechtach, Germany
ONSÉGEN ENSEMBLE is a group of musicians from northern Finland. A well-received second album "Duel" contains a multilevel and experimental fusion of post-rock, jazz, and stoner, mixed with touches of cinematic and flamboyant overtones.
ONSÉGEN is about the critical exploration of one's mind, about broadening of horizons and new discoveries. Just imagine yourself for a moment connected to the earth, connected to all life on the planet and the universal energy.
"Duel" was recorded at Hell-Fi studios 2017–2018. Mixed by Janne Huotari at Surf Sound and Mastered by Svante Forsback at Chartmakers. The album was released on 06/06/2018 through all major streaming services.
ONSÉGEN ENSEMBLE is:
Juggis Aalto, Heikki Häkkilä, Esa Juujärvi, Merja Järvelin, Sami Lehtiniemi, Samuli Lindberg, Joni Mäkelä, Jaakko Tuomivaara, Niina Vahtola and Mikko Vuorela.
Today's tune "Duel" is the title track from the bands latest album, enjoy!
THE BUDOS BAND, the Staten Island instrumental afro-soul act with influences as the CAIRO JAZZ BAND, J.C. Davis, Mulatu Astatke and BLACK SABBATH coming together to form a mind-bending combination of rhythm and melody, record junkies like me nodding their heads to the soul-infused melodies; metal heads thrashing to the dark and ominous guitar and bass riffs.
THE BUDOS BAND is an instrumental band recording on the Daptone Records label. The band has nine members (with occasional guests) who on their first studio albums, played instrumental music that was self-described as "Afro-Soul", baritone saxophone player Jared Tankel elucidated as being drawn from Ethiopian music the band had been listening to that had a soul undercurrent to it, which the band then "sprinkled a little bit of sweet 60's stuff on top" of. Since this time, the band has moved toward playing what they refer to as "70's Psychedelic Instrumental Music."
On the electric guitar is Thomas Brenneck, congas, drums is handled by John Carbonella Jr., organ - Mike Deller, bass guitar - Daniel Fode, trumpet, Andrew Greene, bongos, congas – Rob Lombardo, drums – Brian Profilio and percussion – Dame Rodriguez,
Jazz, deep funk, Afro-beat, soul and heavy-metal influences can be heard in the Budos Band recordings, all of which were released on Daptone Records and recorded at the label's own studio, Daptone's House of Soul, in Brooklyn, New York. Though they reside in Brooklyn THE BUDOS BAND have toured most of North America, Several countries in Europe and parts of Australia.
That this is very cool music to play on high volume on a Friday evening, but beware, it's easy to get the "Budos Fever"
Today's tune is the title tune from "Burnt Offering", released 2014, enjoy!
The Italian MESSA plays an evoking doom metal with a dark jazz twist. Deliciously haunting female vocals, rhodes piano and 70’s fuzz guitars combine to conjure a sound that is all of their own. It's like a mix between a doomy JEX THOTH with BOHREN UND DER CLUB OF GORE atmosphere, topped with URFAUST and John Coltrane, interesting, hell yeah.
The band has moved from the droning occult doom of their first LP "Belfry" to a new, darker and more atmospheric approach clearly showcased in their new record "Feast for Water", a concept album centered on the introspective, symbolic and ritual features of the liquid element.
The Italian 4-piece band MESSA emerged on the first day of 2014. The extreme diversity of their musical background immediately proved to be essential in the construction of the band’s sound: Prog, Black Metal, Punk, Dark Ambient, jazz, Blues and Doom. all those influences have been channeled into a sonic cauldron that the band defines “Scarlet Doom”
“a belfry obscuring your mind, calling you to come by...
leaving scarlet velvet behind you.”
MESSA consists of:
MARCO MESSA bass/guitars (the sade, sultan bathery)
SARA voice (restos humanos)
ALBERTO lead guitar (glincolti, douge)
MISTYR drums (nox interitus,Sterbenzeit)
MESSA is out touring with SABBATH ASSEMBLY, I will do my best to check them out when they come to Stockhom, to bad that MESSA ain't following them here, see the dates for MESSA tour below.
Today's tune "Leah", the third track from "Feast for Water" album, released April 2018 on Aural Music, Video by Laura Sans, Written and shot by Laura Sans and Marco Messa, enjoy!
“Blood and Water Tour 2019”
DE – 02/05 Mannheim, 7er Club
DE – 03/05 Dudefest Karlsruhe
FR – 04/05 Paris, Glazart
UK – 05/05 Desertfest London
BE – 06/05 TBA
DE – 07/05 Leipzig, Ilses Erika
AT – 08/05 Linz, Kapu
PL – 09/05 Krakow, Alchemia
PL – 10/05 Warsaw, Hydrozagadka
PL – 11/05 Into the Abyss Festival, Wroclaw
DE – 12/05 Berlin, Berghain Kantine
