Showing posts with label The Who. Show all posts
Showing posts with label The Who. Show all posts

Wednesday, 1 May 2019

Blood Ceremony - Lolly Willows


Toronto’s BLOOD CEREMONY is one of the most established names in the underground scene and forerunners of the so-called occult rock movement. After four very successful studio albums, they gift us with this fresh material release, a 7" single featuring brand new recordings.


The A-side, "Lolly Willows", is a surefire instant classic in the BLOOD CEREMONY canon, groovy flute and catchy and well-played melody with cool riffing, whilst the all-important B-side is a fantastic cover a lesser known gem by THE WHO, titled "Heaven & Hell".

This single is a promising teaser of what is about to come on their upcoming album.


Enjoy today's tune "Lolly Willows".



More info @

Official Blood Ceremony Facebook

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Sunday, 6 April 2014

The Who - Baba O'Riley


Sunday, time for a classic one, todays tune "Baba O'Riley" is a song written by Pete Townshend for the English rock band The Who. It is the opening track to their fifth studio album, Who's Next. Roger Daltrey sings most of the song, with Pete Townshend singing the middle eight: "Don't cry/don't raise your eye/it's only teenage wasteland". The title of the song is derived from the combination of the song's philosophical and musical influences, Meher Baba and Terry Riley. 

The Who are an English rock band formed in 1964. Their best known line-up consisted of lead singer Roger Daltrey, guitarist Pete Townshend, bassist John Entwistle and drummer Keith Moon. For much of their career they have been regarded as one of the three most important British rock acts along with the Beatles and the Rolling Stones.




 
Townshend originally wrote "Baba O'Riley" for his Lifehouse project, a rock opera that was to be the follow-up to The Who's 1969 opera, Tommy. The song was derived from a nine-minute demo, which the band reconstructed. "Baba O'Riley" was going to be used in the Lifehouse project as a song sung by Ray, the Scottish farmer at the beginning of the album as he gathers his wife Sally and his two children to begin their exodus to London. When Lifehouse was scrapped, many of the songs were released on The Who's 1971 album Who's Next, with "Baba O'Riley" as the first track. The song was released as a single in several European countries, including the United Kingdom, but in the United States it was only released as part of the album.

Townshend stated in an interview that "'Baba O' Riley' is about the absolute desolation of teenagers at Woodstock, where everyone was smacked out on acid and 20 people had brain damage. The contradiction was that it became a celebration: 'Teenage Wasteland, yes! We're all wasted!'"

Drummer Keith Moon had the idea of inserting a violin solo at the coda of the song, during which the style of the song shifts from crashing rock to a folk-style beat. Dave Arbus (from the progressive band "East of Eden") plays a violin in the studio recording. In concert, lead singer Roger Daltrey replaces the violin solo with a harmonica solo. The Who produced a live version of the song with a viola, provided by Nigel Kennedy, during their 27 November 2000 concert at the Royal Albert Hall.

The violin solo in the coda of the song is based on Indian classical music as homage to Meher Baba, the Indian mystic who inspired this song.

The song's backing track was derived from deep within the Lifehouse concept. Townshend wanted to input the life information of Meher Baba into a synthesiser, which would then generate music based on that information. That music would have been the backing track for "Baba O'Riley", but in the end, the frenetic sequence was played by Townshend on a Lowrey Berkshire Deluxe TBO-1 organ using its marimba repeat feature. This modal approach used for the synthesiser track was inspired by the work of minimalist composer Terry Riley. The names of Riley and Meher Baba were incorporated into the song title as a tribute by Townshend. Although they never actually did it in concert, The Who considered pulling a person from the audience and programming their vital statistics into a synthesiser that would, in effect, translate that person into a musical theme around which a song could be built, an idea later resurrected as The Lifehouse Method.

A cover of "Baba O'Riley", "The Road Goes On Forever" by High Contrast, was used for the one-minute countdown films at the very beginning of both Opening Ceremonies at the London 2012 Olympics and Paralympics. The Who performed "Baba O'Riley" live at the close of the London 2012 Olympic Closing Ceremony, the song thus providing bookends to the start and finish of the London 2012 Olympics.



"Baba O'Riley" is often mistakenly called "Teenage Wasteland" after the phrase repeated throughout the song. "Teenage Wasteland" was in fact a working title for the song in its early incarnations as part of the Lifehouse project, but eventually became the title for a different but related song by Townshend, which is slower and features more lyrics. A version of "Teenage Wasteland" is featured on the Lifehouse Chronicles, a six disc set of music related to the Lifehouse project, and on several Townshend compilations and videos.

More info @

Official The Who Web

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Monday, 24 October 2011

Tenacious D - Fuck Her Gently



Hey There Gurls and Guys!
Hope all is okey, I wanted to have something harder than I recently have been given u. So I thought I give you .....a gently, descretly touch of Tenacious D
:D



These 2 gentlemens have gave my world of humor and music much, I adore their playing with lyrics and the tunes are mmmmm :)

Did you guys know that Black said that the first song he enjoyed was ABBA's "Take a Chance on Me". His style was distinctly shaped by "big dinosaurs of rock" such as The Who and Led Zeppelin. In addition, Gass lists his influences as being Tom Waits and Tony Robbins. The band claimed that the inspiration for the song "Tribute" came after Black played Metallica's "One" for Gass, describing it as "the best song in the world",leading to an attempt to themselves write an even better song.



Gass has described Tenacious D's comic assertion that they are the best band as being "ridiculous because it's a matter of opinion". Black characterizes Tenacious D's comic nature as an antidote to "the masculinity of rock", adding "There's also something funny about the macho-ness of rock. Like the bands that are the fucking hardest rocking are like, 'We'll fucking kick your ass, dude... with our rock.
Russell Brand, All Shall Perish, The Lonely Island and Kanye West have in turn been influenced by the work of Tenacious D.

Ladys and Gents, here is Tenacious D with Fuck Her Gently,

Cheers, Thetania



More info @

Official Tenacious D Web

spotifyListen to ”Tenacious D - Fuck Her Gently" on Spotify here!

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Tuesday, 7 June 2011

Ruh - I’ll Be Dead Til The End Of May



There was a Big Rock Summer Kickoff last sunday with many bands!

Stones and me missed some of em cos we were putting lights
on Mr Jerry Seinfeld.

But we saw 3 of em :D And It was a great Rock Party, They ended off with the eminent Lizette & a really cool Industrial Rock band...LOVE UUUU, That we have done here at
The Tune Of The Day a lot of times.

These bands playd:
Ruh - They just made ​​a showcase in Los Angeles and previously opened for The Who,
July - Has re-unification and are back in business again,
Spitchic - Crazy great,
Roxie77 - Doesnt need any further description, Ryan is a real rockstar.
Lizette & - Makes their first gig with material from the new album.

Im picking Ruh as todays Tune!

The Stockholm band Ruh plays temperamental and dynamic rock with imaginative melodies and honest lyrics.


During the summer of 2005 Fredrik Sundberg (vocals) and Jens Handell (guitar) made a journey to Cairo to get inspiration to write music. At that point, there was no band, but were working on some material together. One late night in a hotel bar some new acquaintances invited Fredrik and Jens onto the stage to perform. They took what they had (a half-finished song) and played. The audience was very touched, and in the alcohol-drenched hours that followed, they kept using the same phrase to describe the music. “Ruh.” Turns out it means soul. When the guys returned to Sweden, they came home with more than just new inspiration. They came home with a name.

The band was completed with Daniel (bass), Axel (piano) and Magnus (Drums), they all brought their personal touch to the sound. The repertoire grew quickly and Rug started playing live at local bars and clubs in Stockholm. The magic (or soul) that was sparked in the hotel bar in Cairo, seemed to come alive on the Swedish stages as well. With every show the fan base grew. And after being discovered by Kattis Blom, a booker at Livenation, Ruh started playing bigger venues all over the country.



The tour plan will be put together as requests come in. ”Find the Essence and Multipy” (Ruh Records) will also be available on I-tunes and Spotify.

Members:
Fredrik Sundberg - Vox
Jens Handell - Guitar
Axel Bellinder - Keyboard
Daniel Sellberg - Bass
Magnus Frid - Drums

Their Exellente Manager is Blue Lemon Management – Power To The Artist!


Lets hear them,

Peace, Thetania



Wanna know more, click here to come to their homesite.


spotifyListen to ”Ruh - I’ll Be Dead Til The End Of May" on Spotify here!

spotifyFollow tuneoftheday.blogspot.com on Spotify here!