TAU TAU TAU is a wild archaic scream from the heart, woven from a seamless thread of prayers, chants, psychedelic invocations, and as Nunutzi says “songs of praise” in English, Spanish and Gaelic, shaken through pre-hispanic drums, bells, shakers, synths and acoustic guitar played “through an amp with a very shitty pick up that gives a weird sound.”
The recordings began in Berlin, by happenstance on the day Bowie died, the album was completed in a nine day live session. “ Though sad, for us it was a very good omen to start that day. There was a silent euphoria in the room, like being at the wake of an old friend with your closest friends. We made an altar for him for the huge inspiration that he was which stayed there until we finished the recording”.
Featuring collaborations with Knox Chandler of SIOUXSIE AND THE BANSHEES, Earl Harvin of TINDERSTICKS, Nina Hynes and MISSKENICHI, TAUTAUTAU includes numerous additional vocalists and musicians, all of whom make their own unique contribution to the celebratory psychedelic folk of Tau.
While tracks like Mother and Midnight Jaguar summon up the spiritual music of North and CentralAmerica, The Bridge of Khajou has its heart in the Sufi mystic poetry of Iran. Mo Anam Cara (Gaelic for soul mate) is haunted by the ghost of Love’s Arthur Lee. Venadito and Kauyumari is an ode to the Great Deer spirit . Espiral (Spanish for spiral) is Tau’s riotous interpretation of chant sang in Temazcal Sweatlodges . Tau’s journey through the psyche comes to rest with Tara - the sacred dwelling place of Ireland - a long, luminous jam that signals a momentous, if fleeting, feeling of completion.
Says Nunutzi, “Vibrations, notes, semi tones, chants, lyrics, whatever it is, music has the power to heal and transcend all the clutter and if you can create that magic for yourself you can give it back to other people. This blows my mind”.
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